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Recent work: China’s domestic consumer market

Mannequins display clothing for sale in a window display in the Bund area of Shanghai, China.

Mannequins display clothing for sale in a window display in the Bund area of Shanghai, China.

I’ve recently completed a body of work on China’s domestic consumer market. Long dormant, recent years have shown the billion or so potential consumers make an attractive target for the companies throughout the world. Coca-Cola knew this early on, but now companies such as Wal-Mart, Carrefour, Mercedes-Benz, H&M, Louis Vitton, Pizza Hut, and any other brand you know have opened shops in major urban centers in China.

Politicians in Beijing have been downplaying the severity of China’s share of the global economic crisis. Outlooks remain optimistic and, thanks in part to half-trillion-dollar stimulus plans, the country’s economic growth has not declined as rapidly as some had predicted. Through tax incentives, government-provided shopping vouchers, a lowering Consumer Price Index, and a nationwide “Buy China” movement, consumer spending in China has remained strong throughout recent months and is expected to grow in the near future. While many doubt that the country’s domestic market will bring swift respite to the world’s economies, evidence suggests it has done much to soften the blow to China’s bottom line.

A jewelry merchant passes out free bracelets and necklaces to a few lucky passers-by outside a supermarket in Nanjing, China.  The merchant hoped the giveaway would act a promotion for his store.

A jewelry merchant passes out free bracelets and necklaces to a few lucky passers-by outside a supermarket in Nanjing, China. The merchant hoped the giveaway would act a promotion for his store.

People walk through a wholesale market near the Fuzi Miao area of Nanjing, Jiangsu, China.  This market supplies consumer goods to smaller markets and shops in the rest of the city.

People walk through a wholesale market near the Fuzi Miao area of Nanjing, Jiangsu, China. This market supplies consumer goods to smaller markets and shops in the rest of the city.

Tourists and shoppers walk into the Nanjing East Road subway station in Shanghai, China.

Tourists and shoppers walk into the Nanjing East Road subway station in Shanghai, China.

Shoppers check out at a discount clothing section of a large department store in Nanjing, China.

Shoppers check out at a discount clothing section of a large department store in Nanjing, China.

People look at recent offerings of the revitalized MG car company in Nanjing, China.  Originally a British company, MG Nanjing has taken over the brand and will market cars in China starting in 2007, with plans to move to the British market in later years.

People look at recent offerings of the revitalized MG car company in Nanjing, China. Originally a British company, MG Nanjing has taken over the brand and will market cars in China starting in 2007, with plans to move to the British market in later years.

Shoppers ride an escalator from Wal-Mart in Wanda Plaza in the central Xinjeikou shopping district in Nanjing, Jiangsu, China.

Shoppers ride an escalator from Wal-Mart in Wanda Plaza in the central Xinjeikou shopping district in Nanjing, Jiangsu, China.

A family loads consumer goods onto a truck in Guilin, Guangxi Province, China.

A family loads consumer goods onto a truck in Guilin, Guangxi Province, China.

People look into a Mercedes-Benz car dealership in central Shanghai, China.

People look into a Mercedes-Benz car dealership in central Shanghai, China.

People walks past high-fashion stores and billboards at the Deji Plaza shopping mall in the central Xinjeikou shopping area of Nanjing, Jiangsu, China.

People walks past high-fashion stores and billboards at the Deji Plaza shopping mall in the central Xinjeikou shopping area of Nanjing, Jiangsu, China.

People shop for small electronics at a wholesale market in the Fuzi Miao area of Nanjing, Jiangsu, China. The market acts as a distributor of consumer goods to shops and smaller markets throughout the city.

People shop for small electronics at a wholesale market in the Fuzi Miao area of Nanjing, Jiangsu, China. The market acts as a distributor of consumer goods to shops and smaller markets throughout the city.

A Trust-Mart supermarket employee rests on an escalator between floors of the supermarket in Nanjing, China.

A Trust-Mart supermarket employee rests on an escalator between floors of the supermarket in Nanjing, China.

More work from the series can be seen on my website, “Hao shaoxi, hao shaoxi: China’s domestic consumer market”.

Printed newspapers do matter

Silicon Alley Insider gathers data on some newspapers who have recently ceased their print publications and moved entirely online.  While some, notably the Kentucky Post and the Seattle PI, have seen sharp increases in online viewership, the picture isn’t as rosy for most online-only newspapers.  A few of the newspapers now boast monthly online readership about the size of our own here at dvafoto, which is both a bad sign for those newspapers and a nice sign for us.  Most interesting, though, is an almost throw-away comment about the Kentucky Post:

study by Princeton economists says that since the Posts closed, both the number of candidates for city council and local board posts, and the number of people who showed up to vote has dropped. The study also says that the incumbent politicians and board members now have higher chances of staying in office.”

In short, the printed newspaper is an important check on politicians. Not new news, I suppose, but now there’s data to back up the assertion.

Worth a Look: AMERICANSUBURB X

I ran into this site full of images, criticism and interviews a number of weeks ago. It has features on a wide range of really interesting photographers, and from a variety of sources I can’t pin down. I don’t have anything to say but check it out. AMERICANSUBURB X

(c) Antoine D'Agata

(c) Antoine D'Agata


Just some of the interesting pieces: Mike Brodie, Antoine D’Agata, Juliana Beasley and Luc Delahaye

Worth a Look: Greg Ruffing’s Cuyahoga River

Old friend Greg Ruffing is starting to post about a new personal project (and pt 2) he is working on about the Cuyahoga River which meanders through northeast Ohio and his own life.

(c) Greg Ruffing

(c) Greg Ruffing

I’ve been exploring the river more as a greater existential symbol of time and experience (both collective and personal) and its symbiosis with the cities and towns through which it flows. The Cuyahoga, as any other river, has historically served many functions for its surrounding lands in terms of ecology, industry, commerce, recreation and more.
My parents and their parents and further generations past grew up in various towns along the river’s meandering path from rural Geauga County south to Akron and back north to Cleveland where it empties into Lake Erie (the word Cuyahoga literally means “crooked river” in the Iroquois language).
The river has been a physical and spatial link between different periods of our lives, so for me it is also as much about certain aspects of personal journey. And I wonder to what extent (if any) this can be extrapolated to parallel larger, more universal, human experiences manifested throughout time in the people and places seen here.

blog_river010

I think they are beautiful photographs and a new take on revisiting one’s own past and tying that in to the integral landscape of one’s own home. That this landscape has ghosts and lives in infamy (the river caught fire forty years ago this week) adds an interesting weight and layering. I can’t wait to see more.

What I’ve been up to

Sorry for my lack of posting over the last month or so, I’ve been kept very busy with a roadtrip, an assignment in Albania and work on a personal project or two. But I have a lot of little things saved up to post, and will catch up on a few today.

Matt Lutton for the International Herald Tribune

Matt Lutton for the International Herald Tribune

But first I thought I’d share a couple of things from what I’ve been up to. The first of three stories I shot in Albania for the New York Times / International Herald Tribune with Dan Bilefsky, having to do with Sunday’s elections in Albania, has been published: “Albanians, Cut Off, Get Set to Vote”. We have two more stories to go to print in the coming weeks, and I’ll share those and more pictures when I can.

Đurđevdan celebration at the Gazela Bridge settlement, May 2009

Đurđevdan celebration at the Gazela Bridge settlement, May 2009


Last, a little peek at a project I’m working on here in Belgrade about Roma communities who are in danger of losing their homes when the city/state redevelops the land that they are squatting on. A lot of issues going on here, and I’ve been trying to unpack it over the last month or so and there is much more to do, this really is in its beginning stages. A little bit further down the line I’ll be able to share more pictures and more of the story. For now, a couple of frames:
Đurđevdan celebration under Gazela Bridge, May 2009

Đurđevdan celebration under Gazela Bridge, May 2009


Next up are another couple of short trips back to Kosovo and to Bosnia to continue my stories there. I look forward to having more to show you all soon, thanks for having a look!
Gazela, May 2009

Gazela, May 2009

Advice for a Young Photojournalist

18mcnally-190New York Times Assistant Managing Editor Michele McNally answered readers’ questions on nytimes.com this week as part of their series “Talk to the Newsroom”. There were many interesting questions and responses, some more pertinent to the broader readership than photographers themselves, but this question that I’m quoting here I think is a very nice roundup of why it is worth trying to do this work. And it is a nice answer I can give to the people who have been asking me about how to get started themselves, or what the hell I’m thinking as I try to do this myself.

Advice for a Young Photojournalist

Q. I’ve recently graduated from college and landed a job at a daily newspaper that just announced layoffs. Away from family and friends, I’d like to think this sacrifice is and has been worth where I hope my career heads. There’s a lot of talk and glorification of the past, but photographers and photo editors then were faced with tribulations as well. My question is, is what I am doing, my education, my push to learn and grow, is it all going to be worth it someday? Did you have doubts when you started your career?
John Tully

A. Mr. Tully: It appears you are on the right track already. You are questioning your committment and if it is worth the sacrifice. You have already recognized that the career of a photojournalist is a difficult one personally, so you’ve got to love it. I really mean that. Clarify your mission and the purpose of your photographs. Figure out what you want to say, and how you can get better and better at saying it. Understand that it is a long journey … the cliché … it’s a marathon not a sprint, does hold true in the career of a photojournalist.

And a big mighty yes — it will be worth it. How fortunate we are to do what we do! The world is your doorstep. You can be smack in the middle of history, and you can make that moment tangible to viewers worldwide. You are invited into peoples lives every day. People will share their stories with you daily — locally or internationally and you can give voice to them. You will see and do more in a week than some people will experience in a lifetime. Pretty exhilarating to me. Doubts, questions, all good things. When answered, they give us clarity and focus, for a short time — because the people I admire are always pushing, never satisfied, and continually strive.

Good luck, Michele

False photos as a Statement about Photojournalism

John Vink over on this post on Lightstalkers brought up a very interesting case: two students, Guillaume Chauvin (23) and Rémi Hubert (22), upon winning a Paris Match photojournalism prize, announce that they have faked the pictures in their entry as an exercise and indictment of photojournalism. Here are the original images from Paris Match, from a story about “homeless students”, and this is (through rough google translation) the article from Liberation describing what happened.

One of the setup photographs. (Very rough translation: I can not go to the University Restaurant every day and I do not go to the Restos du Coeur. So I go to the markets and I give to friends who can go cook. " Armin, 23, Master of Sociology.)

One of the setup photographs. (Very rough translation: I can not go to the University Restaurant every day and I do not go to the Restos du Coeur. So I go to the markets and I give to friends who can go cook. Armin, 23, Master of Sociology.)

They revealed the deception during the award ceremony, reading a text in which they describe their “artistic” action as an “attempt to challenge” the “workings of a media discourse that has the ingredients for convenience and voyeurism in the representation of distress.” “It was said that it would be a good opportunity to reveal the mechanisms of some news does not check his sources and information and relies on sensationalism,” says Rémi Hubert.

What do you think? A valid (respectable? responsible?) form of criticism?

As for me: I think that this is a very provocative (and perhaps intelligent) approach to breaching this important subject, but I need to know more about their motivations… as I’m not convinced this is ultimately a responsible approach. I don’t think (or, I don’t want to think) that journalism is doing such wholesale falsification of stories, as these two students have done, and thus their actions go far beyond the more subtle point they’re trying to make. Bob Black has the first nice response on that lightstalkers thread; I think I am agreeing with him.

Also, I want to ask the students, what would you have done had you not won this award and gotten that stage to make your written statement? What would the message have been then?

Be sure too to read some of the comments left on the Liberation article for a taste of how the French public is reacting to this revelation and statement. Some are very interesting.

(Last, sorry for the crude translations, I hope they are reasonably accurate as I had to revise some of the grammar for it to make any sense. If you’d like to contribute a non-google translation I would be happy to amend ours)

Worth a look: Cesura Lab

Cesura Lab - BANG KOH by Gianfranco Tripodo

Cesura Lab - BANG KOH by Gianfranco Tripodo

Following the “photographer’s website” link at Magnum’s page for Alex Majoli brought me a welcome surprise in the form of Cesura Lab, an Italian photography collective and consulting service.  There’s so much good work here that I can’t figure out where to start.  Try BANG KOH by Gianfranco Tripodo or BODIES BORROWED by Coskun Asar or THE WHITE DANCE HUMAN TRAFFICKING FOR SEX TRADE IN BELARUS. by Alice Pavesi or PIO OF PIETRELCINA by Luca Santese.  Beautiful work in many different styles from a bunch of photographers you probably haven’t seen before…

H&M Photoshop Disaster

msb-131922modcropphotoshopdisaster

I’m so bad at spotting photoshop disasters, but that hasn’t stopped me from trying. I finally spotted one on my own yesterday, standing a couple stories tall on the side of an H & M clothing store in a fancy mall in Nanjing.

Skin color and the photography industry

[I held off on posting this, thinking we wouldn't be adding much to the discussion...but after a week or so, there still hasn't been much mention of organizations working to change the demographics of the photography industry]

There are a lot of white faces at all levels in the photography industry: in the editorial offices, in the business offices, behind the cameras, and in front of the cameras (well, in photojournalism it’s often dark suffering faces in front of the cameras, but that’s another conversation; rarely do black models feature prominently in fashion magazines, for instance.). What started as an observation at Reciprocity Failure turned into an incendiary accusation and “contest” at Duckrabbit and then blossomed into a conversation in the photography blog echo chamber. Prison Photography, Politics, Theory & Photography, APhotoADay, Conscientious, Photo Business News & Forum, and APhotoEditor all weighed in, and I’m sure there were others. Duckrabbit’s now added more fire to the flame…. Some of the best discussion I’ve seen on the topic occurred on lightstalkers and in APhotoEditor’s comments (though APE’s discussion got a little out of hand and comments have since been closed). I was also interested to read John Edwin Mason’s perspective about the lack of diversity at the just-finished Look3 festival in Charlottesville. This is a conversation that needs to happen. Photo District News started out as the target of the accusations of passive racism, and they have responded in the PDNPulse post “On Lack of Diversity in Photography, and in PDN.”

As some have pointed out, this is a problem far more pervasive than the jury for PDN’s Photo Annual. Looking at the jury for this year’s POYi, for instance, or the names of the BOP judges, the contests are controlled, primarily by white people (update June 23: thanks to a reader for pointing out that BOP counts a few African-Americans and latinos among their judges). World Press Photo, on the other hand, boasts a remarkably diverse roster of jurors. Here, I should say that I do not mean to impugn any of these talented judges or these contests; the work they reward is often well-deserving and the lack of the diversity, I think, indicates not a pernicious white supremacist power grab, but rather a passive exclusion of people of color endemic to the European and American mass media industry. That’s still a significant hurdle, but perhaps it’s better than it could be. Also, there’s a raft of black media organizations (old list, found in a suspect comment in APhotoEditor’s discussion), and I don’t want to disparage their efforts by suggesting the western media is only white. That list, too, suggests that the majority-white media world does not fill the market need for black Americans, and one suspects it doesn’t for other minorities in the US, either. That isn’t necessarily a problem either; media perhaps shouldn’t be all things to all people, and a multiplicity of publications aimed at varied audiences begets a broader and better perspective on the world than would a few magazines aimed at “the masses.”

The simple fact is that there needs to be more diversity throughout the photo industry at all levels. Programs such as the Angkor Photography Festival’s free workshops for young Asian photographers, the Foundry Photojournalism Workshop (interview about the workshop), Aina (a nonprofit geared toward creating a well-trained independent local media in Afghanistan; interview about the workshop), the Gordon Parks Center for Culture and Diversity (their photo contest deadline is today, by the way), the Young Photographer in the Caucusus Award (deadline June 15), and minority journalism programs and professional organizations (yes, they do matter!), begin to address the need for an entry point to photography to those from different backgrounds than the middle class white males dominating the industry. Programs such as Women in Photojournalism or the Photobetty collective (sadly, now seemingly defunct) begin to address gender disparity in photography. Organizations such as Majority World exhibitions such as ICP’s Snap Judgments, and blogs such as Asian Photography Blog, begin to show the world as viewed and photographed by its many cultures. And grant competitions such as National Geographic’s All Roads Photography Program begin the process of rewarding high-caliber photography by indigenous photographers. But this is only a beginning.