“Ackermann’s report said Stolarik had flashed his camera in Ackermann’s face several times as police told him to stop photographing a girl’s arrest. But according to the Times, Bronx District Attorney Robert Johnson’s office didn’t find any photographic evidence of a flash being used, nor did any witnesses corroborate Ackermann’s report.” –Cop Who Arrested Times Photographer Faces Seven Years in Prison, New York Magazine
According to the New York Times, police ordered Stolarik to stop taking pictures of an arrest, but he identified himself as a journalist and continued photographing the scene. One officer then grabbed his camera, he asked for badge numbers and names, and the police then took his cameras and forced Stolarik to the ground. The photographer was arrested. One police officer, Michael Ackerman, later claimed that Stolarik had deliberately used his flash camera’s flash in his face, interfering with the police officers’ duties and justifying an arrest. Yesterday, though, Ackerman was indicted on three felonies and five misdemeanors, alleging that Ackerman made up the events leading to the arrest. Evidence and witness testimony now make clear that Stolarik did not use a flash that night: his camera does not have a built in flash, his pictures from the event show no use of flash, and no witnesses report seeing bright lights. At the time of the arrest, Stolarik told New York Magazine that the charges were untrue.
Yesterday James Estrin, co-Editor of the New York Times Lens Blog and Staff Photographer for the Times, announced that they are inaugurating the first New York Photography Portfolio Review, a two-day event in April 2013. It will bring together 160 photographers, in two one-day sessions, with more than 50 prominent reviewers, including a diverse selection of photo editors, agents, publishers, curators and buyers. The event will include private portfolio reviews, discussions and workshops.
They’ve also announced that the event will be free to attend for invited photographers, a step away from other major portfolio reviews in the US and Europe which can cost hundreds of dollars. The event, on April 13 and 14 at the City University of New York Graduate School of Journalism in New York City, is divided in two sessions: on Saturday the 100 invited photographers will all be 21 years or older, and on Sunday all 60 photographers will be aged 18-27. To attend you must submit a portfolio by February 13, and invited photographers will be informed by March 8, 2013.
This is such an interesting event that I wanted to pose a few questions to Estrin, and he agreed to fill us in.
Dvafoto: Whose idea was this project, and how does it fit Lens’ and the NYT’s goals?
Estrin: I’ve always thought that the web, and social media were very powerful tools for communication, but significantly different than actual human interaction. Real Analogue interaction can have important and profound consequences.
I came up with the idea for the review with Lens co-editor David Gonzalez.
We have been lucky that our marching orders, from our boss [assistant managing editor for photography for the New York Times] Michele McNally, have always been to make the very best blog we could. Make the best editorial judgements that we could make, be willing to be smart, try to be principaled and don’t worry about traffic or business. So if this event can help the photo community, and create opportunities and discussion, then it fits into our mission. There are many ways to communicate.
Why did you choose to make the event free? This surely bucks the trend of most portfolio reviews and events for photographers these days.
It’s free because we wanted to create as many opportunities for photographers, regardless of background, to share their work.
There are fine portfolio reviews that charge- most of them non profit either by design or execution. I reviewed this year at Review Santa Fe and also at Lens Culture Fotofest in Paris and I think both were very was helpful for many photographers as well as for myself as an editor. At the same time I think we all have a responsibility to our fellow photographers, particularly the youngest new photographers amongst us.
Many people helped me when I was a young freelance photographer. I wouldn’t be here without them. I always remember how difficult it was to show my work in the pre-digital era, and how alone I often felt. There is an important tradition of experienced photographers helping newer ones.
Why the age categories? Will there be a different curriculum for each session?
The age categories are because I wanted to make sure that we did the utmost we could for up and coming photographers.
All photographers 21 and older can go on Saturday and I think the opportunities will be great. But on Sunday you have to be 18 -27 and there will be many workshops as well as reviews. By the way a very accomplished 21 -27 year old photographer could apply and get in for both days.
Ultimately, we just wanted to do some good, have fun, and help our colleagues in any way that we can. So we asked what would be a meaningful thing to do.
My colleagues from the New York Times, National Geographic, Time, Aperture, Abrams books, PDN, and many museums, magazines, galleries and blogs have generously agreed to share their time. We are adding new reviewers daily.
Thanks to James Estrin for answering some of our questions and for organizing this fantastic opportunity for photographers.
The deadline for submitting your portfolio is February 13, 2013 on the entry page. Good luck to everyone applying!
“The claims arise from a series of incidents in connection with Occupy Wall Street protests beginning in and around September 17, 2011 and continuing to the present day in which the City of New York in concert with various private and public entities have employed Officers of the New York City Police Department (“NYPD”) and others acting under color of state law, to intentionally and willfully subject Plaintiffs and the public to, among other things, violations of rights to free speech, assembly, freedom of the press, false arrest, excessive force, false imprisonment, and malicious prosecution and, furthermore, purposefully obstructing Plaintiffs carrying out their duties as elected officials and members of the press, including oversight of the New York City Police Department.” -Rodriguez Et Al v. Winski Et Al. First Amended Complaint (pdf, scribd link)
We’ve written before about photographers being abused while covering protests in New York City. Now, photographers Stephanie Keith, Charles Meacham, the National Press Photographers’ Association (see their blog about the case), five NYC city council members, and others, have joined in a federal lawsuit against various New York City entities and officials, including Mayor Bloomberg, the Metropolitan Transit Authority, and a number of identified and unidentified police officers, as well as JP Morgan Chase and other businesses in the Occupy Wall Street area, alleging that they engaged in the intentional obstruction of news-gathering activities, the business of elected officials, and Constitutionally-protected protest activities. The complaint can be read in it’s entirety here. In an NPPA press release about the lawsuit, a quotation summarizes photographer Stephanie Keith’s complaints against the city and others, “I joined this lawsuit because as a working journalist I’ve been arrested, thrown to the ground, hit with batons and yelled at by the NYPD while doing my job on assignment. I have seen my fellow journalists being treated this way as well. Why should journalists be subjected to trauma inducing harassment on the job?”
Skip to about 1:45 in the video above to see police obstructing New York Times freelancer Robert Stolarik from taking pictures. It’s the latest demonstration of the NYPD’s general strategy of impeding the freedom of the press to cover Occupy … Continued
When dvafoto was in New York a couple of months ago we had the chance to meet up with some old friends, a few of whom we’ve known online for years but never met in person. Bryan Derballa is one … Continued
Dina Litovsky, a Brooklyn based photographer, recently sent us a look at her new project Untag This Photo, a complex project looking at the role of pictures and feminine exhibitionism in modern society. Litovsky writes: “Instead of an instrument of … Continued
Dubin at Work is a such a strange and unexpected set of photos, I almost don’t believe they exist. Harry Dubin took his teenage son around the streets of 1940s New York to take pictures of people working. Only, they … Continued
There’s been a lot of online coverage of the 2009 New York Photo Festival, mostly good but some bad. But, I hadn’t seen many of the actual photos from the festival. Visura Magazine comes to the rescue with a special … Continued
Sorry for the lack of posting on my end, especially of things that aren’t all about me, I’ve been a bit busy on the road. I’m still in New York City, trying to stay warm and get through the gauntlet … Continued
Matt sent along a link to these interesting composite images of St. Petersburg/Leningrad made by combining photos from the 1941-44 Leningrad Blockade and contemporary photos of the same locations. There’s a lot to see at englishrussia.com, though if I remember … Continued