Tag Archive: masterclass
In 2010, fifteen young South-East European photographers and three masters met in Berlin for the SEE New Perspectives masterclass, organized by World Press Photo and Robert Bosch Stiftung. After the first meeting in Berlin all of the photographers were given a grant to photograph a story within the region but outside of their home country.
The resulting projects are now being exhibited in Belgrade, Serbia (on display until December 14 at the ARTGET gallery on Trg Republike) after debuting in Sarajevo, Bosnia and Herzegovina in October. The show will soon move to Zagreb, Croatia and Berlin, Germany. The exhibition features an interesting concept of displaying oversized “magazines” each devoted to one photographer’s project, with only one image from each project along with the photographer’s name on the wall.
You can see all of the stories produced in the masterclass on the SEE New Perspectives website as well as more information about the organization of the project.
The photographers are:
Andrei Pungovschi, Romania
Armend Nimani, Kosovo
Bevis Fusha, Albania
Dženat Dreković, Serbia
Eugenia Maximova, Bulgaria
Ferdi Limani, Kosovo
Jasmin Brutus, Bosnia and Herzegovina
Jetmir Idrizi, Kosovo
Marko Risović, Serbia
Nemanja Pančić, Serbia
Octav Ganea, Romania
Petrut Calinescu, Romania
Sanja Jovanović (née Knežević), Serbia
Tomislav Georgiev, Macedonia
Vesselina Nikolaeva, Bulgaria
And the Tutors are:
Regina Anzenberger, Austria, artist, curator, photographer’s agent, gallerist
Silvia Omedes, Spain, president at Photographic Social Vision Foundation
Donald Weber, Canada, photographer VII Agency
I asked my old friend Jasmin Brutus, a Bosnian photographer who was part of the masterclass, to paraphrase the statement he gave at the Sarajevo opening which expresses his feelings about the years-long masterclass project: “We [the participating photographers] all returned with nice small toolbox which our employers will never know how to utilize. So, I think experience in the masterclass is very useful for my personal projects and for my job is almost useless. I gained new skills and my old skills got enhanced. But, for me the most important thing is that I met a group of really great people and great photographers.”
Congratulations to my friends from around the region who were able to take part in this interesting project and many of whom were able to produce terrific photo stories that may otherwise never have seen light or been published. I encourage you to explore the work published on the SEE New Perspectives site or peruse the photographers’ own websites linked above.
The video below features interviews with all of the photographers about their work and experience in the masterclass:
I’ve been trying to put something more substantive together today but I’m just a little too under the gun with my Aftermath Project proposal being due soon and an out of town assignment this weekend for the Fader … so here is a quick roundup of things I’ve been reading and been interested in the last few days, all of which probably deserve a larger post themselves. As a side note: I have GOT to cut down on my RSS intake … you’ll see from the mess of sources I’m giving you today… (Pictures are from my trip to Wenatchee earlier this month)
First, some great great music for you to put on while chewing through all the tribulations of the week. The Elephant Six Collective, which produced such great bands as Neutral Milk Hotel and Olivia Tremor Control, and now well-known groups The Apples in Stereo and Of Montreal, is out doing a ‘Holiday Surprise Tour’ around the country. One of the big surprises is that the elusive Jeff Mangum, leader of Neutral Milk Hotel, has shown up and played with his friends. Go here for a full two and a half hour concert: Elephant Six Orchestra on All Songs Considered. (All Songs Considered is rad, if you don’t know it, and they have a great podcast feed). Also, a youtube clip of “Glue” by The Gerbils (!!) performed at SUNY Purchase.
I might be the last photographer to have started following Jörg Colberg on his great blog Conscientious, but I’ve been enjoying it recently. He is making a thought-provoking push for us to reexamine the visual language of photojournalism. And is giving examples here. (Plus today, What is photojournalism anyways?, a brilliant question). I’m very conflicted, and this deserves a lot of thought and consideration and many of its own blog posts. Not least of which is I love the work as it is, it means a lot to me, and that Majoli picture he points to is from a project/book (Leros) that is very important to me and what I know as great work.
You should chime in yourself with some of the discussions going on: Lightstalkers has a thread titled ‘Well someone had to say it sooner or later’ and Alec Soth baits us with “Does photojournalism make you verklempt?” on the Magnum Blog.
Digital Railroad continues its superheated implosion with news coming from all over the place… I recommend reading the top of Lightstalkers message board for all of the latest. Frankly, whatever I post right now will be old news by time you read it.. this is a fast-moving story. (Newest I have is that web-portfolio house Livebooks, who does my website for example, is also getting in on the fallout and offering deals to switch over from DRR (reports PDN)).
Part of my insanity over my rss-load is coming from my new subscription to insanely productive blogger Andrew Sullivan’s The Daily Dish at The Atlantic. That link is to an angry post that he did about Palin’s medical records; he also provided me with this gem of a link to a blogging 80something woman. Called ‘What was I thinking when I called Sarah Palin a Bitch’. Sullivan came recommended to me by editor of Slate.com David Plotz, through their Gabfest.
I’ve been pretty disappointed with most of the work coming out of Magnum|Insight over the past week, I must admit, but there are some interesting things. Particularly Alessandra Sanguinetti’s work from Los Angeles and, more for the story than pictures, Mikhail Subotzky’s Between Rome and New York.
In other pictures, you really really must also check out Vanessa Winship and her work from the Balkans and Black Sea. More info to come, but we hope to interview Winship soon here on DVA….
Related, take a look at this trove of great videos of lectures/projections over at Lumix Festival for Young Photojournalism in Hanover, Germany. I found it searching for Vanessa Winship, but it also includes (maybe not all in English) presentations by Thomas Höpker, Steve McCurry, Antonin Kratochvil, Thomas Dworzak (can’t wait to find the time to watch this one especially), Heidi und Hans-Jürgen Koch and Kai Wiedenhöfer.
Got some more bad news the other day: the National Geographic Society has suspended all grants for the rest of the year, “in efforts to cope with the current economic situation.” I have been in the running for a Young Explorers Grant for my as-yet-publicly-announced Russia project. Maybe in the Spring.. bummer.
I’ve known Jehad Nga’s work for awhile now, and saw some of his pictures at his exhibition at Bonni Benrubi (and direct link), with Paolo Pellegrin, early this summer. But I was alerted to a new story he has done about Somali Pirates called “Pirates, Inc”. (note: unfortunately it is impossible to link directly to his stories on his site, so click on ‘From Here on In-Galleries’ and choose the title of the story). Terrific work, on a story that I’ve been thinking about a little bit. Best of luck to him too at the World Press Photo Joop Swart Masterclass going on soon in Amsterdam. You can see his essay for that on his site too, My Shadow, My Opponent, about boxers in the Kibera slum of Nairobi. Such great color…
Endnote: as you can probably see I ended up taking some hours to put this post together … what started as a cop out of an actual post became my procrastination tool. Damn.