David Walter Banks (previously interviewed) wrote in to tell us about the upcoming Luceo Images and MJR publication and one-night exhibition at 25CPW in New York City. The event will take place Thursday, Janaury 21, 2010, from 6-10pm at 25 Central Park West at the intersection of 62nd Street. The folks at Luceo and MJR are good friends of dva. The groups both have a ton of photo mojo, and it’s great to see their efforts combined. I asked Banks a few questions about the publication and event. His answers are excerpted below:

dvafoto: What got Luceo and MJR together? How long have you been working on this project?

David Walter Banks/Luceo: Various members of LUCEO and MJR have become friends over the past couple years, and had some time to spend together at LUCEO’s last two biannual meetings in NYC and then again at the LOOK3 Festival of the Photograph in Charlottesville. The show and publication have been at least 6 months in the making that I can remember….

Why a publication?

Both groups have strong editorial ties as well as work that leans more toward the fine-art world, so the publication was a mix between the two. The idea was to create something tangible and lasting instead of just a one-night event. It’s also the concept of taking the idea of a magazine, and creating a limited edition collectible art piece out of it. A publication that in our eyes warrants large-scale reproduction and display space on a gallery wall. To this end, the focus is more on the print piece instead of the show itself, but the catch is that you have to attend to receive the publication.

Will we be seeing new work? Whose work will be in the show (all the photographers in each collective or just a selection?)?

The piece and show will feature work from each photographer involved in the two groups, as well as the craftsmanship of the designer and editor we had the good fortune of collaborating with. The show will feature some old work and some new, but certainly all in a different presentation than before.

The release says “Issue One” — will Issue Two also be Luceo and MJR, or is the first issue testing the waters for something bigger? When will we see #2?

We’re not ready to announce anything yet, but the door is open, and this will certainly not be the end of our collaborations with MJR, who have been the driving force behind the publication….

I wouldn’t say the show is just testing the waters, because I do believe it is an end and not just a means, but it is a sign of what’s to come. Both of these groups have similar feelings about collaborating and building bridges within the photographic community and beyond. I believe each group will build from this experience and take that forward into future endeavors.

Luceo is: David Walter Banks, Kendrick Brinson, Matt Eich, Kevin German, Tim Lytvinenko, Daryl Peveto, Matt Slaby
MJR is: Mustafah Abdulaziz, Ying Ang, Matthew Craig, Julius Metoyer, Gareth Phillips, Brandon Thibodeaux

Incredibly last minute announcement but I will be in New York City next week, December 21st through 23rd, for a quick visit with publications, editors and friends and to continue my project I See A Darkness. I will have new work and portfolios to share, including an under-wraps book project that will begin immediately upon my return to Serbia in January. (Did I even mention that I’m back in Seattle for the holidays? It’s been busy.)

If you are in the City and feel like meeting up to see work, see an exhibition (I’ve got Ballen, Frank, and Mosse on my schedule right now) or grab a beer, be in touch! It’ll be a crazy quick visit but it might be my only one this year.

Asim Rafiqui’s “The Spinning Head” blog remains one of my favorite places for analysis of contemporary photojournalism. One of his latest pieces, “Offering Silence To The Oppressed Or How Photography Can Become A Weapon Of Repression,” offers up an important counterpoint to the praise lately heaped on the recently opened London exhibition of Israeli and Palestinian photographers, Beware the Cost of War (more at 100eyes). The exhibition presents images of conflict without captions or credits. Rafiqui’s central points, buoyed by John Barger’s visual-philosophical framework, are that:

• The exhibition removes context, so that we never know who is the occupier, and who the occupied…
• The exhibition removes chronology, so that we never know whether the act occurred this year…
• The exhibition removes history, so that we never know what it is that violence represents…
• The exhibition removes the ugliest of constant and material facts…

Well worth a read.

Edit: To be clear, both 100eyes and Lens’ presentations of the work include captions of the pictures. The captions remain separate from the pictures, but exist nonetheless. Also, Conscientious Redux continues the conversation.

Just hitting the airwaves, the Noorderlicht Photography Festival, one of the great photojournalism events of the year, has been forced to remove an essay curated by Magnum’s Stuart Franklin. The festival’s press release (warning: pdf) states, in part,

The Associated Press does not object to the exhibition as such, but to the content of Franklin’s accompanying essay. This essay acknowledged that criminal acts were committed by both sides [Palestinian and Israeli], but assigned the principle responsibility for the extent of the bloodshed to Israel. Both Franklin and Noorderlicht believe this conclusion is justified by the critical reports [regarding the matter] from Amnesty International and the United Nations…”

The AP believed Franklin’s text expressed a political statement, and further that having AP photos in the exhibition, the essay associated a political statement with AP’s photos, which violates Associated Press guidelines. Whatever the case, this is the first time in Noorderlicht’s twenty years that an essay has been removed due to potential legal threats.

(via Conscientious)

LOOK3 YourSpace Online – Images by Festival of the Photograph

Photoshelter and Look3 have just announced a call for entries for an online exhibition and projection at the upcoming Festival of the Photograph in Charlottesville. Looks like a great way to sneak your work into the festival if you missed the deadline for Slideluck Potshow or can’t make it to Charlottesville.

From Amongst the Poor by Gary Knight

Dispatches (which I’ve never held in my hands, but which I know in print has to be even better than the incomparable essays and photojournalism on the magazine’s site) never ceases to amaze. Amber, one of the dynamos behind the scenes of the operation, just emailed to let us know about a couple of events coinciding with the release of the 4th issue, “Out of Poverty.” I’m jealous I can’t be there for the talk and also to see the VII offices and gallery, which is a big step up from the tiny 2.5-desk office on the campus of the Fashion Institute of Technology when I was there…

First, Thursday, May 21, at 7p.m. at the VII Gallery in DUMBO, Brooklyn (28 Jay Street, Brooklyn, NY 11201), Gary Knight will present a slideshow and discuss the images published in “Out of Poverty.” The work presented will come from his recent work on poverty in India, which does not disappoint. Members of the public are invited to bring images of poverty on USB devices to print and hang on one wall of the gallery.

The next night, Friday, May 22, at 6:30pm at the VII Gallery, Gary Knight, World Press winner Tim Hetherington, and VII agency director Stephen Mayes, will “discuss war photography and representations of conflict.”