A photographer who, last April, invoked California State Shield Law protections revealed one photo and his own name by entering and winning an award in the College Photographer of the Year competition. Alex Welsh, whose work we mentioned previously when it won the Gold Medal in Documentary Photography, photographed a murder scene while working on the Hunters Point story which has been widely recognized this year. Police investigating the crime asked Welsh to hand over images of the crime scene, but Welsh refused to do so, citing protections against releasing journalists’ unpublished material and notes. A San Francisco Superior Court judge sided with the photographer, deciding that Shield Laws applied in this case, and kept the photographer’s name withheld from other media and court documents for the photographer’s safety. The photographer, it turns out, had already released his name and at least one of the images in question to the College Photographer of the Year competition. Now, police again are trying to get Welsh’s cooperation in their investigation. The San Francisco Weekly has more.

Girls walk through a neighborhood in Port-au-Prince, Haiti - December 2005.

“There is no one, nothing, no medicines,
no explanations for why my daughter is going to die.”
— Jeudy Francia, outside St. Esprit Hospital in Port-au-Prince, in the New York Times

Coverage of the earthquake in Port-au-Prince, Haiti, has been ramping up as responders have been able to get a perspective on the tragedy. Of particular interest, the New York Times’ Lede Blog has been compiling breaking news (1: huge amount of info, still being updated, 2, 3) in addition to what can be found on twitter and other sources for news on the ground beyond what the paper’s own reporters send back. Lens has photos from Tequila Minsky, who was in Haiti when the quake struck, and some historical perspective by Maggie Steber, who’s heading to Haiti on assignment for the Times. The Big Picture has a huge selection of photographs showing the devastation. The Pulitzer Center on Crisis Reporting has a special report on Haiti, “Despite Years of Crushing Poverty, Hope Grows in Haiti“, produced last year. And Mother Jones has a piece about the problems caused by looking at Haiti only after disaster strikes, focusing particular blame on the Bush Administration’s relationship with the country (via dispatches).

Additionally: Here’s 6 ways you can help by donating (via Luceo).

• Banjo extraordinaire Danny Barnes (I don’t know his music) has a great essay on “How to Make a Living Playing Music,” and he might as well be writing about making a living taking pictures. He starts “if you are a very materialistic person, skip this article, i don’t think you are going to like what it says.” The article is partly philosophical–don’t gossip, avoid people who talk about gear, “all the trouble in the world is going to come for you in two ways. the things you say, and the things you agree to do. be very careful about these items.”–but mostly practical–”the main business strategy is to build your own audience,” “don’t be afraid to do other things to make money in the short term,” and
  

  “be totally square on your taxes. render unto caesar that which is caesar’s. if you try to fudge on this, it will come back to bite you every time. get receipts for everything, 1099 everyone no matter what, unless they are a corporation.”

  The whole thing’s a fascinating insight into what allows a successful musician to keep doing what he loves, and has many parallels to photographers working on a career.

• Kenneth Jarecke’s “2009 – Year of Transition” has a great analysis of what 2009 meant to many freelancers. He explains why he turned down editorial work (a first for Jarecke), talks about new strategies for distribution, cogently analyzes the havoc caused by editorial layoffs and how it will affect the future, and the stupidity of photographers signing “work for hire” contracts for $1200 a day with big clients.
• PDN talks with the Aftermath Project jurors to find out “What It Takes To Win An Aftermath Project Grant“
• Joerg Colberg’s excellent “We’re all Zapruders now (but that doesn’t make us journalists)” examines what it means when everyone has a camera and how that’s different from journalism.
  

  “I don’t ever recall hearing or seeing anyone describe Abraham Zapruder as a “citizen journalist”. He was seen as what we was: A chance bystander who happened to have a camera (and use it) the moment the American president was shot and killed.”

  The piece ends with strong argument for what society stands to lose by getting rid of professional journalists.

• Magtastic Blogsplosion surveys many perspectives on upcoming tablet devices and what they may mean for magazines in “The revolution to come.”
  

  “The industry also wants to avoid the newspaper dilemma – publishers were so excited to give away their content for free in the early days of the web, that there was no thought to an industry business model – and the toothpaste is proving difficult to push back into the tube.”

  And check out Magtastic’s collection of groups using the newspaper format in innovative ways in “What Newspapers Did Next” and “What Newspapers Did Next (2).”

• The New York Times covers big media companies’ likely plan to begin charging for online content in “Adding Fees and Fences on Media Sites.” Among the problems faced by the old guard,
  

  “It is the established media, with their legacy of high operating costs and outdated technology, that face this problem. Leaner, newer online competitors will continue to be free, avidly picking up the users lost by sites that begin to charge.”

• PDNPulse talks with the Wall Street Journal photo department and examines how the newspaper’s attitude toward visual journalism has changed under Murdoch. PDN reports: “The good news for photography is that our editor, Robert Thomson, is a very visual person,” says Jack Van Antwerp, the paper’s photography director. And while you’re at it, check out the Wall Street Journal’s 2009 Year in Photos, which includes many friends.

In early 2009, the think tank POLIS together with Oxfam published a report warning that international coverage is likely to decrease under the new public service broadcasting regime being worked out in the U.K. And in 2008, the U.K. tabloid the Daily Mirror said as part of the latest round of job cuts they were abolishing the post of foreign editor altogether. Meanwhile, citizen journalists and NGOs have been rushing to fill the gap. The mainstream media, getting free filmed reports and words, often sees this as a win-win situation. This raises three key issues:

• Do these new entrants to humanitarian reporting mean that we are seeing more diverse stories being told and more diverse voices being heard? Does the fundamental logic of reporting change?
• Are viewers/readers aware of the potential blurring of the lines between aid agencies and the media when NGOs act as reporters?
• How are aid agencies being affected by citizen journalists acting increasingly as watchdogs?

-Glenda Cooper in When lines between NGO and news organization blur

The Nieman Journalism Lab has recently been publishing an intriguing series of articles exploring the relationship between the media, NGOs, and journalists, especially as more and more international and investigative journalism is produced, funded, and distributed initially or in cooperation with NGOs and charities. There’s much to read here, and I’ve only just started, but it’s a necessary conversation to have as news organizations drop foreign and investigative bureaus and turn to advocacy organizations for reporting. Be sure to check out all the articles:

• NGOs as newsmakers: A new series on the evolving news ecosystem
• Kimberly Abbott: Working together, NGOs and journalists can create stronger international reporting
• Simon Cottle and David Nolan: How the media’s codes and rules influence the ways NGOs work
• Natalie Fenton: Has the Internet changed how NGOs work with established media? Not enough
• Saving us from noise that kills: NGOs as news coordinators in a networked public sphere
• Bringing NGO news into the mainstream: The case of OneWorld.net and Yahoo News
• Glenda Cooper: When lines between NGO and news organization blur

This is a touchy subject, because of the moral ambiguities inherent in partnerships between NGOs (which generally advocate particular agendas/causes) and journalists or journalism organizations (which strive for editorial independence and objectivity). In the past few years mainstream NGOs have been producing some stellar work. Medecins Sans Frontieres (Doctors Without Borders) has been producing strong photography, for instance, and VII recently partnered with the International Committee of the Red Cross for a compelling global documentary effort. A Developing Story chronicles more journalism produced by NGOs. Ultimately, I think the responsibility for journalistically-sound reporting funded by NGOs will rest on the shoulders of the journalists working with the NGOs, who must make sure that their reporting is a truthful representation of the subject being reported according to long-established rules of journalism ethics.

New York Times - 2009 Year in Pictures

I won’t try to keep up with the Photos of Year roundups like I did last year. Thankfully, the Visual Student (Part 2, Part 3, Part 4, Part 5) and Fimoculous have compiled their own lists of varying media organizations’ “best of the year/decade” packages. There’s a lot to see, and I certainly won’t look at all of them myself. Of those I have seen, my favorite has been the New York Times’ 2009 Year in Photos, which offers a mix of freelancers, staffers, and wire reporting broken down in a month-by-month timeline. There are many well-known pictures in the NYT’s presentation, as well as some undiscovered gems worth seeing.

BAGnewsNotes - Best of the BAG Decade

Also not to be missed is a recap of BAGnewsNotes’ decade of blogging about visual politics and journalism. The site is one of my favorites, and their end-of-the-decade rundown of the archive is essential reading. Check out Best of the BAG Decade: Contributors & Friends, Pt. I; Contributors & Friends, Pt. II (in which Matt’s coverage of the Obama inauguration gets a nod); Heavies & Heroes, Pt. I; BAG Looks at the Iraq War; and The Origins of BAG. There will likely be more decade- and year-end wrap-up at the BAG, so tune your browsers and RSS readers over there.

Newspapers are dying for a few reasons. Readers don’t want to pay for yesterday’s news, and advertisers follow them. Your iPhone, your laptop is muc more handy than the New York Times on Sunday. …. It’s enough to bury any industry. So, should we rather ask, “Can anything save newspapers?”…We started to redesign [newspapers]…I wanted to make posters, not newspapers….Design can turn your company upside down.” -Jacek Utko on newspaper design

Recent news in the decline of newspapers and magazines reminded me of the above video of Jacek Utko explaining his successes in reinvigorating European newspapers through design. By radically transforming the visual culture of newspapers in Poland, Estonia, Russia, and elsewhere, the newspapers’ circulations jumped between 30 and 100 percent. In Russia, circulation jumped 29%, in Poland 35%, a Bulgarian newspaper saw a 100% jump in circulation just after a visual redesign.

Tyler Hicks - A Scrapbook From the Tribal Areas - NYT At War Blog

The New York Times’ blogs keep getting better and better. Everyone knows Lens, but perhaps At War isn’t as well known. Formed out of the now defunct Baghdad Bureau blog, At War is “a reported blog from Afghanistan, Pakistan, Iraq and other areas of conflict in the post-9/11 era.” There’s always something interesting to read or see, from the above seized pictures from Pakistan’s restive Waziristan to Franco Pagetti’s grandmother’s gnocchi recipe as served to Ashley Gilbertson for a birthday to a translator’s perspective on speaking with a would-be suicide bomber to downtime on patrol with Afghan and American soldiers.

A number of photographers currently contribute or have contributed to the blog (that list isn’t up to date), and the archives are worth a look: Peter Van Agtmael, Tyler Hicks, Christoph Bangert, Michael Kamber, Johann Spanner, Ashley Gilbertson, and Joao Silva

Angry People in Local Newspapers - Comic Relief Pupils Sent Home

ProbablyBadNews.com

I spent a year working for medium-sized community newspapers in the midwestern US. Maybe that’s why I like Angry People in Local Newspapers, Glum Councilors, and Probably Bad News (part of the Cheezburger empire), and Media Relations’ Funny Headlines, so much. Angry People in Local Newspapers especially hits home with me, because it was such a common assignment. Maybe the city wasn’t properly clearing snow, or maybe a nearby business put up some garish new signs; somehow, I was supposed to come out of the assignment with a publishable picture communicating local dissatisfaction with something difficult to photograph (or impossible to photograph, in the case of complaints about noise). Ironically, this Angry Citizen of the Week sort of story is one of the great powers of the local newspaper. Once a problem is made known in such a public way, the problem usually gets solved pretty quickly.

(via Metafilter here and here)

San Francisco Panorama

Q: Why broadsheet?
A: We think that the best chance for newspapers’ survival is to do what the internet can’t: namely, use and explore the large-paper format as thoroughly as possible. To that end, we opted for a huge and luxurious broadsheet–15″ x 22″. Then we unleashed artists and designers to show exactly how much the format can do.” -McSweeney’s FAQ on the one-shot San Francisco Panorama project

McSweeney’s, whose lists you should know, is producing a one-time-only 380-page newspaper to be distributed in San Francisco, to McSweeney’s subscribers, and in bookstores across the US. The teaser pages of the San Francisco Panorama are beautiful, and the list of contributors reads as a who’s who of contemporary American writing, design, illustration. The photography is top notch, too. Can’t wait to see one of these in the flesh.

Jaron Lanier - Cockroach DNA time capsule

One of my favorite things to think about is the difficulty of communicating with humans generations from now, or even tens of thousands of years from now. An example: The Office of Civilian Radioactive Waste Management overseeing Yucca Mountain, the proposed Nevada site for disposal of nuclear waste, has been working with artists to develop a warning system that would alert future visitors to the area of the dangers buried in the mountain. From the website, “The monumental challenge is to address how warnings can be coherently conveyed for thousands of years into the future when human society and languages could change radically.” The purpose of the warning sign is “to deter intentional or inadvertent human intrusion or interference at the site and to effectively communicate over the course of the next 10,000 years that the integrity of the site must not be compromised in any way in order to prevent the release of the radiation contained within.” It’s an interesting visual challenge that must not rely on our own cultural biases. Here’s one artist’s response to the challenge, though perhaps it’s too reliant on the 20th century “Radioactive Danger” symbol.

In 1999, the New York Times Magazine ran a six-issue Millenium special, one part of which was an invitation to artists, scientist, and other thinkers, to develop a way of communicating with the future. Jaron Lanier, researcher and scientist, proposed genetically engineering a DNA-coded archive of a year’s worth of the New York Times Magazine and inserting it into the common cockroach’s genome (and the New York Times’ discussion of the idea). Owing to the millions-of-years-long stability of the cockroach genome and the species tenacious ability to survive ice ages, floods, and other earth-altering natural disasters, the cockroach proves to be a perfect candidate. With careful gene splicing techniques, coded DNA could be inserted into unused areas of the cockroach genome, providing a carrier for what could be, if the encoded information expanded beyond the scope of the New York Times Magazine, a living, breathing, self-replicating, everywhere Library of Alexandria (the burning of which illustrates the importance of millenia-long preservation of our academic and cultural knowledge). Under Lanier’s proposal, cockroach reproduction would spread the DNA-coded archive into the every cockroach in New York City in just 14 years. Future humans or other visiting species would hopefully decode this time capsule upon study of the species and human knowledge will have survived across the millenia, regardless of extinction or other disasters.

Weird and ingenious.

(via Metafilter)