Worth a look: The Groundtruth Project and Foreverstan

Last night I attended the launch of the Groundtruth Project, a non-profit news organization focused on training the next generation of international correspondents and producing international journalism. Today, Groundtruth has published their most recent project, Foreverstan, a current and nuanced look at the United States’ longest war. There’s an introduction video embedded above, but the project website is really worth a look.

groundtruthproject First, a little about the Groundtruth Project. It was founded by Charles Sennott (co-founder of GlobalPost and longtime reporter), Gary Knight (co-founder of VII), and Kevin Douglas Grant (formerly the Senior Editor of Special Reports at GlobalPost). In Sennott’s introduction last night he said that he had been talking with the Ford Foundation, one of Groundtruth’s funders, about the difficulties of running GlobalPost as a business. They said that GlobalPost may technically be a for-profit enterprise, but it’s really a non-profit. Sennott then founded Groundtruth as a non-profit dedicated to international newsgathering and training young journalists for international reporting.

Though last night in Boston was the official launch of Groundtruth, the organization has been active for a few years. They’ve funded a number of reporting fellowships and projects: in Egypt, in Burma, on global health, human rights in Africa, millenials around the world, and this year’s Middle East Fellowship. They’ve also published a number of special reports on topics around the world in addition to these fellowships. Crucially, Groundtruth makes sure that their stories reach wide audiences, partnering with a number of international news organizations including Public Radio International, WGBH, PBS Frontline and others.

Screenshot of the Foreverstan website - a project by the Groundtruth Project
Screenshot of the Foreverstan website – a project by the Groundtruth Project

Foreverstan is the latest of these special reports, published in partnership with WGBH and funded by the Ford Foundation and The Bake Family Trust. It combines writing, video, and photography by Jean MacKenzie, Beth Murphy, and Ben Brody, looking at the current situation of Afghanistan through stories centered around the internationally-built Ring Road in the country. The stories are separated into three sections: a look at the military handover to Afghanistan forces, girls’ education in the country, and the lives of Afghanistan’s millenials, who’ve only known war during their lifetimes. It’s an ambitious project, but one which looks a bit deeper than most conflict reporting. At the launch last night, the founders and panelists stressed the importance of “context” reporting, examining the circumstances surrounding and leading to conflict.

Keep an eye on Groundtruth’s site for future projects and ways to get involved. Also, not to be missed is the Groundtruth Project’s Field Guide, which includes guidelines for reporting from the field and a collection of essays on lessons learned from the field by a number of international correspondents, including James Foley. It’s a free download and a great resource for those interested in international reporting. You can also keep up with Groundtruth’s projects at their blog.

Worth a Look: Adam Magyar’s Stainless

Photographer Adam Magyar, whose slit-camera photographs Scott wrote about in 2009, has a new project called Stainless. It is composed of both massive prints of subway cars and subway riders and innovative slow-motion videos of subway platforms as trains arrive at stations around the world. It is captivating work. And involved a tremendous amount of ingenuity and invention by Magyar to make it possible.

There have been a lot of articles about the work recently so do have a look: Matter has published a feature and interview with Magyar as Einstein’s Camera: How one renegade photographer is hacking the concept of time that I highly recommend. PetaPixel also published a piece about the Stainless videos and followed-up with a link to a fascinating video where Magyar speaks about the technology and code that he developed himself to make these projects work.

The Making of Boogie’s Demons Project

Serbian photographer Boogie, known for his street photography from all over the world, has been working on a series of wet-plate collodion portraits in his hometown of Belgrade over the last few years, a project that he calls “Demons”. I had the chance to see the fascinating process of making this work up close in 2011 when I was photographed in his studio’s courtyard for an earlier version of the project. This year Boogie took delivery of a new custom-made 11×14 inch wet plate camera and he is pushing forward with new portraits (and still lifes). You can see a lot of the new pictures on his website for Demons.

He recently posted a link to this great behind-the-scenes video made by Stud 7 and Sima Film in Belgrade, which reveals somewhat how his massive camera works and the complicated chemistry that goes on to make the pictures happen. A cool little video that shows off Boogie’s process. The Tom Waits soundtrack and mad scientist vibe fits him too.