Category Archive: Events
Yesterday James Estrin, co-Editor of the New York Times Lens Blog and Staff Photographer for the Times, announced that they are inaugurating the first New York Photography Portfolio Review, a two-day event in April 2013. It will bring together 160 photographers, in two one-day sessions, with more than 50 prominent reviewers, including a diverse selection of photo editors, agents, publishers, curators and buyers. The event will include private portfolio reviews, discussions and workshops.
They’ve also announced that the event will be free to attend for invited photographers, a step away from other major portfolio reviews in the US and Europe which can cost hundreds of dollars. The event, on April 13 and 14 at the City University of New York Graduate School of Journalism in New York City, is divided in two sessions: on Saturday the 100 invited photographers will all be 21 years or older, and on Sunday all 60 photographers will be aged 18-27. To attend you must submit a portfolio by February 13, and invited photographers will be informed by March 8, 2013.
This is such an interesting event that I wanted to pose a few questions to Estrin, and he agreed to fill us in.
Dvafoto: Whose idea was this project, and how does it fit Lens’ and the NYT’s goals?
Estrin: I’ve always thought that the web, and social media were very powerful tools for communication, but significantly different than actual human interaction. Real Analogue interaction can have important and profound consequences.
I came up with the idea for the review with Lens co-editor David Gonzalez.
We have been lucky that our marching orders, from our boss [assistant managing editor for photography for the New York Times] Michele McNally, have always been to make the very best blog we could. Make the best editorial judgements that we could make, be willing to be smart, try to be principaled and don’t worry about traffic or business. So if this event can help the photo community, and create opportunities and discussion, then it fits into our mission. There are many ways to communicate.
Why did you choose to make the event free? This surely bucks the trend of most portfolio reviews and events for photographers these days.
It’s free because we wanted to create as many opportunities for photographers, regardless of background, to share their work.
There are fine portfolio reviews that charge- most of them non profit either by design or execution. I reviewed this year at Review Santa Fe and also at Lens Culture Fotofest in Paris and I think both were very was helpful for many photographers as well as for myself as an editor. At the same time I think we all have a responsibility to our fellow photographers, particularly the youngest new photographers amongst us.
Many people helped me when I was a young freelance photographer. I wouldn’t be here without them. I always remember how difficult it was to show my work in the pre-digital era, and how alone I often felt. There is an important tradition of experienced photographers helping newer ones.
Why the age categories? Will there be a different curriculum for each session?
The age categories are because I wanted to make sure that we did the utmost we could for up and coming photographers.
All photographers 21 and older can go on Saturday and I think the opportunities will be great. But on Sunday you have to be 18 -27 and there will be many workshops as well as reviews. By the way a very accomplished 21 -27 year old photographer could apply and get in for both days.
Ultimately, we just wanted to do some good, have fun, and help our colleagues in any way that we can. So we asked what would be a meaningful thing to do.
My colleagues from the New York Times, National Geographic, Time, Aperture, Abrams books, PDN, and many museums, magazines, galleries and blogs have generously agreed to share their time. We are adding new reviewers daily.
Thanks to James Estrin for answering some of our questions and for organizing this fantastic opportunity for photographers.
The deadline for submitting your portfolio is February 13, 2013 on the entry page. Good luck to everyone applying!
In 2010, fifteen young South-East European photographers and three masters met in Berlin for the SEE New Perspectives masterclass, organized by World Press Photo and Robert Bosch Stiftung. After the first meeting in Berlin all of the photographers were given a grant to photograph a story within the region but outside of their home country.
The resulting projects are now being exhibited in Belgrade, Serbia (on display until December 14 at the ARTGET gallery on Trg Republike) after debuting in Sarajevo, Bosnia and Herzegovina in October. The show will soon move to Zagreb, Croatia and Berlin, Germany. The exhibition features an interesting concept of displaying oversized “magazines” each devoted to one photographer’s project, with only one image from each project along with the photographer’s name on the wall.
You can see all of the stories produced in the masterclass on the SEE New Perspectives website as well as more information about the organization of the project.
The photographers are:
Andrei Pungovschi, Romania
Armend Nimani, Kosovo
Bevis Fusha, Albania
Dženat Dreković, Serbia
Eugenia Maximova, Bulgaria
Ferdi Limani, Kosovo
Jasmin Brutus, Bosnia and Herzegovina
Jetmir Idrizi, Kosovo
Marko Risović, Serbia
Nemanja Pančić, Serbia
Octav Ganea, Romania
Petrut Calinescu, Romania
Sanja Jovanović (née Knežević), Serbia
Tomislav Georgiev, Macedonia
Vesselina Nikolaeva, Bulgaria
And the Tutors are:
Regina Anzenberger, Austria, artist, curator, photographer’s agent, gallerist
Silvia Omedes, Spain, president at Photographic Social Vision Foundation
Donald Weber, Canada, photographer VII Agency
I asked my old friend Jasmin Brutus, a Bosnian photographer who was part of the masterclass, to paraphrase the statement he gave at the Sarajevo opening which expresses his feelings about the years-long masterclass project: “We [the participating photographers] all returned with nice small toolbox which our employers will never know how to utilize. So, I think experience in the masterclass is very useful for my personal projects and for my job is almost useless. I gained new skills and my old skills got enhanced. But, for me the most important thing is that I met a group of really great people and great photographers.”
Congratulations to my friends from around the region who were able to take part in this interesting project and many of whom were able to produce terrific photo stories that may otherwise never have seen light or been published. I encourage you to explore the work published on the SEE New Perspectives site or peruse the photographers’ own websites linked above.
The video below features interviews with all of the photographers about their work and experience in the masterclass:
“The 2012 NPPA Business Blitz will help its students develop the fundamental building blocks for creating a sustainable business in a changing marketplace. Lectures will build on basic business principles to address challenges faced by freelancers as they navigate a brave new digital realm. Topics will cover methods for monetizing and negotiating new media projects, long-term legal and business considerations in the year 2012, and marketing methodology for reaching new clients.” -NPPA Business Blitz Roadshow
If there’s one thing I’ve learned in my years as a freelancer, it’s that you’ve got to get your business right. In the coming months, the National Press Photographers’ Association will run a series of “Business Blitz Roadshows” aimed at helping photographers figure out their business strategy. The event, which also includes an exhibition of Best of Photojournalism award winners, will be in Boston this weekend (July 13-14), Austin (Sept. 28-29), Chicago (Oct. 19-20), and San Clemente, CA (Nov. 16-17), and the ticket price is much less than most workshops: $30 for non-members to attend both days. Only the Boston schedule of events is available as of this writing, but all stops will feature talks about the business of photography from discussions about the future to the practicalities of dealing with contracts. Hope to see you at the Boston event!
In this vein, the book Best Business Practices for Photographers will probably be useful to you. I frequently flip through the book when dealing with contracts and client issues.
UPDATE: Here’s a link to the interview.
Two of my favorite things (talented photojournalists and The Daily Show with Jon Stewart) converge tonight when Benjamin Lowy appears as a guest on the show to talk about his latest book Iraq | Perspectives. The show will air on Comedy Central in the US on Dec. 5, 2011, and will likely be available online shortly thereafter. I’ve been a frequent watcher of the Daily Show since before Jon Stewart’s reign as host, and I can’t remember ever seeing another photographer as guest on the show. Lowy may be the first photojournalist to be featured in the show’s history.
The dearth of photographer guests on the Daily Show has always seemed strange to me, especially considering the number of war correspondents and documentary writers featured. Photographers have unparalleled on-the-ground experience of the wars and disasters chronicled, parodied and lambasted on the Daily Show. Other shows and outlets involve photographers a bit more; Ben Lowy recently, Ron Haviv, David Walter Banks, and others have been on CNN, and NPR’s Fresh Air has featured a number of photographers, including: Greg Marinovich and Joao Silva, Roy DeCarava, James Balog, Joel Meyerowitz, Christopher Morris, and Horst Faas and Tim Page. But for some reason, the Daily Show rarely features photographers. Hopefully, Lowy’s appearance will be the start of a trend!
Magnum has become the overseer of much of Tim Hetherington’s photography, and you can see some 480 of his pictures there now. And while this is a departure from Hetherington’s previous relationship with Panos Pictures, BJP reports that the new arrangement is in line with Hetherington’s and his family’s wishes.
Also of note, Magnum has been distributing an archive of Libyan secret service video and photographs that was recovered by Peter Bouckaert of Human Rights Watch and given to Hetherington and Magnum photographer Thomas Dworzak to determine the best way to preserve and distribute the materials. The work is credited “Collection Thomas Dworzak for Human Rights Watch” in the Magnum archive (here’s a few example images, though I imagine better scans will eventually be available), despite the involvement of Hetherington and Bouckaert in the find. David Campbell questioned this credit and the notion of licensing such images for money, and Magnum released a statement in response.
Lens has also recently compiled some of Hetherington’s work from Libya and links to recent remembrances of and interviews with him, including a reminder of Hetherington’s excellent book: Long Story Bit by Bit: Liberia Retold. World Press Photo has also begun an annual grant in Hetherington’s name. There is also a Tim Hetherington memorial fund designed to further the education of students at the Milton Margai School for the Blind in Sierra Leone. The Chris Hondros Fund has also been set up to continue the legacy of Hondros, who was killed alongside Hetherington in Libya six months ago. Please consider making a donation.
I didn’t expect to be back in New York so quickly after dvafoto’s visit last week, but this is especially exciting for me. I’m pleased to announce my work, China Everbright, will be shown as part of the New York Photo Festival in Slideluck Potshow XVI on May 14, 2011, in Brooklyn, New York. The slideshows for the evening–from a breathtaking assortment of photographers–were curated by Whitney Johnson, who has just recently been named Director of Photography for the New Yorker. The event is at St. Ann’s Warehouse at 38 Water Street in DUMBO, Brooklyn, New York, from 5:30p-10:30p.
The photographers selected for the evening are: Alex Fradkin, Alex Webb, Benjamin Sklar, Bruce Gilden, Carolyn Drake, Chris Hondros, Dominic Bracco, Dominic Nahr, Elena Dorfman, James Pomerantz, JR, Krisanne Johnson, Iwan Baan, Landon Nordeman, Luca Zanier, Luis Ladron de Guevara, Lyle Owerko, M. Scott Brauer, M. Wesley Ham, Mari Bastashevski, Mark Peterson, Martin Usborne, Matt Eich, Melanie Burford, Michael Christopher Brown, Natasja Fourie, Peter DiCampo, Phillip Toledano, Platon, Rinko Kawauchi, Stefano de Luigi, Steve Pyke, Steven Brahms, and Tim Hetherington. I’m excited to have my work shown in the company of so many talented and inspiring photographers; if you asked me for a list of my photographic idols, that list would be a goood start.
I also have one image in a slideshow presented by PDN at the New York Photo Festival, but I’m a little unsure on when and where that will be shown.
I hope you can make it to the event. If you’re there, please say hello. Here’s what I look like.
Matt Lutton and M. Scott Brauer are currently in the United States and will be visiting New York City together from Tuesday May 2 through Friday May 6th. Both will be sharing recent work and new projects. We already have some fun work meetings set up and are excited to see old friends and colleagues. We are also planning to meet at The Half King on Wednesday night to see everyone. If you’re in the city, be in touch and/or check here for final details.
It has been a couple of years since the two of us been able to meet up and we haven’t been in New York together since 2005, when we were both interns at Black Star. It’ll be a nice reunion and potentially the start of some interesting collaborations.
We already have most of our meals (Uighur! Momofuku! Matt is aching for variety after months in Belgrade) planned out and a few shows we want to see (like Revolucion(es) and Shen Wei at Daniel Cooney). And of course a pilgrammage to Dashwood Books. Any recommendations for shows happening these days that we can’t miss?
At the end of the week, Lutton is headed back to Belgrade and Brauer to Boston.
“This event [will be a place for] the entire NY Photo community to gather together, celebrate the lives of Tim and Chris while also generating funds for the recovery of Guy and Michael who will be in great need over the coming months. All prints in the show will be available for sale by donation only. All posters will be available for donation as well.” -from the Facebook invitation to the event
Matthew Craig (of MJR) and Julien Jourdes are curating an exhibition of recent photography from political revolutions in North Africa. The show opens 7pm, Thursday, April 28, at Instituto Cervantes in New York (211 East 49th Street). The show will include images by Samuel Aranda, Michael Christopher Brown, Bryan Denton, Mathias Depardon, Guy Martin, Gabriele Micalizzi, Andy Rocchelli, Luca Santese, Gabriele Stabile, Nicole Tung and Ricardo Garcia Vilanova. It will be an opportunity to celebrate the lives of Chris Hondros and Tim Hetherington, and proceeds from print and poster sales from the exhibition will go toward medical care for Guy Martin and Michael Christopher Brown, both injured in Libya last week.
Tonight, 23 March 2011 at 6pm, Harvard University’s Kennedy School of Government will host a forum called Capturing History – A Conversation with White House Photographers. On the discussion panel will be Eric Draper, from the George W. Bush administration; David Hume Kennerly, from the Gerald R. Ford administration; Barbara Kinney, from the William J. Clinton administration; and David Valdez, from the George H. W. Bush administration. It should be a fascinating discussion.
I’ll be there, so please say hello if you attend.
Two of my photos have been selected for a juried show at the Vermont Photo Space called “Scene on the Street” (if you’re viewing this post after the exhibition, the link may no longer point to the right place). The juror for the exhibition is Ed Kashi, a photojournalist whose work I deeply respect. The exhibition opens Dec. 13, 2010, but the reception will be on Dec. 19, 2010 at 3pm. Vermont Photo Space is located at 12 Main St., Essex Junction, Vermont.