You can watch it embedded above or at Ballen’s website. As with his previous films (Asylum of the Birds, Die Antwoord’s I Fink U Freeky, and Memento Mori) the visuals are frenetic and disturbing. Like Asylum of the Birds, the film closely adheres to the subjects and locations of Ballen’s still photography work.
And for me to make these photographs, I have to look deep within myself and ask, ‘Can I live with myself?’ I can.” Roger Ballen, speaking to the Guardian
Amazon has a few different options for purchasing Outland, by the way. There’s the new edition out on April 20 and the 2001 edition available in different conditions and at different prices. Those last two links are at $247.88 and $461.69 as of this writing, but at this link, there appear to be some of the first edition available at much lower prices new and used.
The Guardian published an interview with Ballen a couple weeks ago, by the way, and it’s worth a read. His work has been met with criticism over the years with accusations of exploitation of his subjects, but speaking to the Guardian, he says he “can live with himself” after making this sort of work for so long.
We’ve written about Ballen a few times over the years, by the way: about I Fink U Freeky, speaking about his work, and an early Die Antwoord video possibly involving Ballen.
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