“The management backed off; they gave all the money to high profile writers, abolished all the contract photographers, names, personalities and creativity. Certainly, in the world of journalism, photography took a back seat to some of the more infamous portrait photographers who shoot celebrities and power. They still get paid. But it was depressing for me as I am interested in news. It was possible for me to take one assignment for a portrait photographer, then cut it in four ways. This would enable me to support stories in other parts of the world very easily. I always believed in that and I could not ever accept or understand why they simply rejected it, hook, line and sinker. In the end it was terribly disappointing.” -James Wellford, speaking to Emaho Magazine
If you’re following dvafoto on tumblr, you’ve already seen our link to Emaho Magazine‘s interview with former Newsweek Senior Photo Editor James Wellford about the death of the magazine and how he tried to curate photography for the publication. Wellford talks about the types of photography he tried to support through his helm at the magazine and how that ultimately ran counter to what the publication’s management had in mind for Newsweek. It’s definitely worth a read.